{"id":3,"date":"2008-11-26T23:23:40","date_gmt":"2008-11-26T22:23:40","guid":{"rendered":"https:\/\/www.fichotsculpteur.com\/site\/?page_id=3"},"modified":"2026-08-11T17:52:14","modified_gmt":"2026-08-11T15:52:14","slug":"biography","status":"publish","type":"page","link":"https:\/\/www.fichotsculpteur.com\/site\/biography","title":{"rendered":"Biography"},"content":{"rendered":"<p><a href=\"https:\/\/www.librairie-compagnons.com\/fichot-sculptures.html\">https:\/\/www.librairie-compagnons.com\/fichot-sculptures.html<\/a><\/p>\n<h2 class=\"lien\"><\/h2>\n<p>&nbsp;<\/p>\n<h3 style=\"text-align: left;\">Jean-Michel Fichot est un artiste fran\u00e7ais, n\u00e9 en 1959. Sculpteur et professeur certifi\u00e9, il a consacr\u00e9 son parcours \u00e0 la cr\u00e9ation et \u00e0 l\u2019enseignement dans les domaines du design, des arts appliqu\u00e9s et des m\u00e9tiers d\u2019art.\u00a0 \u00a0 \u00a0 <strong>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0<\/strong><\/h3>\n<h3 style=\"text-align: left;\"><strong>\u00a0 \u00a0 \u00a0 \u00a0<\/strong><\/h3>\n<h3 style=\"text-align: left;\"><strong>Dipl\u00f4m\u00e9 de l\u2019\u00e9cole des Arts appliqu\u00e9s Duperr\u00e9 et de l\u2019\u00e9cole des Beaux-arts de Paris, expose depuis 1985.<\/strong><\/h3>\n<p>&nbsp;<\/p>\n<p style=\"text-align: left;\"><img decoding=\"async\" loading=\"lazy\" class=\"\" src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/6\/6a\/Ordre_des_Arts_et_des_Lettres_Chevalier_ribbon.svg\/120px-Ordre_des_Arts_et_des_Lettres_Chevalier_ribbon.svg.png\" alt=\"Vignette pour la version du 10 novembre 2015 \u00e0 10:17\" width=\"37\" height=\"12\" \/>\u00a0 <strong>Nomm\u00e9 chevalier de l&rsquo;ordre des Arts et des Lettres par Madame Rima Abdul Malak ministre de la Culture en 2023.<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: left;\">1985 : r\u00e9alise sa premi\u00e8re exposition personnelle \u00e0 Paris.<br \/>\n1986 : re\u00e7oit le prix d\u2019Art contemporain Jean Arp d\u00e9cern\u00e9 par Marguerite Arp et<br \/>\nPhilippe Piguet. Participe la m\u00eame ann\u00e9e au Symposium international de sculpture<br \/>\n\u00e0 Sylt ( Allemagne), rencontre Nils Udo.\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 1987 : re\u00e7oit le prix E.M Sandoz, Fondation Taylor. S\u00e9lectionn\u00e9 pour le prix Paul-Louis Weiller, Institut de France, Paris.<br \/>\n1989 : re\u00e7oit le prix Florence Blumenthal d\u00e9cern\u00e9 par Madame Bernadette Chirac apr\u00e8s avoir \u00e9t\u00e9 s\u00e9lectionn\u00e9 par un jury compos\u00e9 de Jean Bazaine et d\u2019Yvon Lambert. S\u00e9lectionn\u00e9 pour le prix F\u00e9n\u00e9on, exposition \u00e0 la Chapelle de la Sorbonne, Paris.<br \/>\n1990 r\u00e9alise une exposition personnelle au Mus\u00e9e d\u2019Art et d\u2019histoire de Saint-Denis.<br \/>\n1991 : r\u00e9alise une exposition personnelle au Mus\u00e9e d\u2019Art et d\u2019histoire de Colombes. Est pr\u00e9sent dans les collections publiques comme au Mus\u00e9e d\u2019Art et d\u2019histoire de Colombes et dans des collections et fondations priv\u00e9es. Expose r\u00e9guli\u00e8rement en France et \u00e0 l\u2019\u00e9tranger (Allemagne, Belgique, Suisse, Etats-Unis, Japon ) dans des galeries, des Foires Internationales d\u2019Art Contemporain et des mus\u00e9es.<br \/>\n2012: re\u00e7oit le prix Charles Malfray de la Fondation Taylor \u00e0 Paris.<br \/>\n2019 Exposition \u00ab\u00a0Roaming\u00a0\u00bb Espace Niemeyer Paris<br \/>\nCommissariat: Jennifer flay, pr\u00e9sidente de la FIAC. La jeune cr\u00e9ation profite d&rsquo;\u00eatre dans ce lieu mythique pour inviter des artistes issus de la jeune peinture: Jean- Michel Fichot, G\u00e9rard Fromanger, Paul Rebeyrolle, Hourmat, Deville et le collectif UNTEL. Journ\u00e9es du Patrimoine.<br \/>\n2021 Exposition \u00ab de fer et d&rsquo;acier \u00bb au Mus\u00e9e de la Fondation de Coubertin. Avec la participation du Centre Pompidou, Mus\u00e9e d&rsquo;art Moderne de la ville de Paris, centre national des arts plastiques, minist\u00e8re de la culture.<br \/>\n2022 Exposition d&rsquo;un ensemble de sculptures et de gravures \u00e0 la Fondation Jean Arp de Clamart.<br \/>\n2023 Exposition personnelle au Mus\u00e9e de la Fondation de Coubertin. Lors du vernissage, l&rsquo;oeuvre \u00ab\u00a0<em>enfeu<\/em>\u00a0\u00bb du compositeur Philippe Schoeller, est interpr\u00e9t\u00e9e en hommage aux origines du travail de jean-Michel fichot. Exposition soutenue par le minist\u00e8re de la Culture et la r\u00e9gion \u00cele-de-France.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: left;\"><strong>REGARDS SUR L\u2019\u0152UVRE<\/strong><\/p>\n<p style=\"text-align: left;\">Comme tout artiste, il a cr\u00e9\u00e9 son langage, utilisant la d\u00e9formation et la r\u00e9p\u00e9tition des formes en qu\u00eate de nouvelles situations dans l\u2019espace et c\u2019est au contact direct de la mati\u00e8re et des volumes qu\u2019il trouve. Dans l\u2019article qu\u2019elle lui a consacr\u00e9 en 1988 pour la revue Fr\u00e9n\u00e9sie, Marie-Claude Lambotte parle de \u00ab philosophie de la forme \u00bb, on parlerait aussi volontiers de po\u00e9tique de la sculpture qui ne peut se r\u00e9duire \u00e0 un seul discours qu\u2019il soit critique, litt\u00e9raire, philosophique, psychanalytique ou sociologique. Les formes figuratives sont trait\u00e9es comme des abstractions dans la mesure o\u00f9 elles ne visent pas \u00e0 figurer de fa\u00e7on imag\u00e9e, anecdotique, une histoire. Il y a le souci de trouver un rythme, un mouvement, un phras\u00e9, une mise en tension, une mati\u00e8re. La d\u00e9formation, sorte de condensation m\u00e9taphorique se conjugue avec la r\u00e9p\u00e9tition, sorte de d\u00e9placement m\u00e9tonymique du d\u00e9sir, chaque sculpture se situant dans le temps au croisement des deux axes diachronique et chronologique. Il y a un syst\u00e8me de double r\u00e9f\u00e9rence, r\u00e9f\u00e9rence \u00e0 l\u2019histoire et \u00e0 la m\u00e9moire collective d\u2019une part et auto r\u00e9f\u00e9rence par le biais de la r\u00e9p\u00e9tition et de l\u2019utilisation de modules analogues d\u2019une sculpture \u00e0 l\u2019autre, c\u2019est en cela qu\u2019il trouve son identit\u00e9 propre.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: left;\"><strong>PRESSE, RADIO, T\u00c9L\u00c9VISION ET PUBLICATIONS<\/strong><\/p>\n<p style=\"text-align: left;\">Wasser dokumentation der Internationalen vereinigung der k\u00fcnst (sektion Bundesrepublik Deutschland. Bonn 1986, ISBN 3-922035-84-1<\/p>\n<p style=\"text-align: left;\">Kultur politik : couverture et article dans la revue trimestrielle d&rsquo;art et de la culture (Allemagne, 1986)<\/p>\n<p style=\"text-align: left;\"><em>Fr\u00e9n\u00e9sie<sup>1<\/sup><\/em>\u00a0:<br \/>\nHYSTERUS. Histoire psychiatrie psychanalise N\u00b04 entretien de Philippe Sollers avec C\u00e9cile Coll\u00e9e,1987.<br \/>\nFOLIES D\u2019ENFANTS. Histoire psychiatrie psychanalise N\u00b06 Jean-Michel Fichot: \u00abUne pratique de la philosophie de la forme \u00bb entretien avec Marie-Claude Lambotte,1988.<\/p>\n<p style=\"text-align: left;\">France Culture: interview par Bertrand Val\u00e8re de jean-Michel Fichot au salon de la jeune peinture, Grand Palais, Paris, 1987.<\/p>\n<p style=\"text-align: left;\"><em>Cadmos<sup>2<\/sup><\/em>\u00a0:<br \/>\nRevue culturelle et scientifique<br \/>\nN\u00b02 \u2013 L\u2019UNIVERSEL, LE SINGULIER\u00a0-\u00ab\u00a0D\u00e9formations\u00a0\u00bb de Jean-Michel Fichot.<\/p>\n<p style=\"text-align: left;\">\u00a0FR3 Lorraine: reportage \u00e0 l&rsquo;exposition Fichot sculpteur au mlc Metz 1989.<\/p>\n<p>Elle Japon, article de Tomoko Charmaison, 1990.<\/p>\n<p style=\"text-align: left;\"><em>Texte de Gilbert Lascault<sup>3<\/sup><\/em>\u00a0:<br \/>\n\u00ab archive de la critique d\u2019art \u00bb in catalogue Jean-Michel Fichot, Paris, galerie Furstenberg 1991.<\/p>\n<p>Artension magazine: article de Fr\u00e9d\u00e9rique Peindarie, 1991.<\/p>\n<p style=\"text-align: left;\">France Inter Invit\u00e9 par Jos\u00e9 Artur, Pop Club. Exposition galerie Furstenberg, Paris 1994.<\/p>\n<p style=\"text-align: left;\"><em>La Gazette Drouot: Portrait\u00a0 \u00ab\u00a0Jean-Michel Fichot re-cr\u00e9ateur de formes par Chantal Humbert, n\u00b045 p.110 et 111, 2012.<\/em><\/p>\n<p style=\"text-align: left;\"><em>Catalogue de l\u2019 exposition Fichot \u00ab\u00a0Paroles et Regards de l\u2019artiste\u00a0\u00bb\u00a0<sup>4\u00a0<\/sup><\/em>2023, 168 pages. \u00e9dition du Mus\u00e9e de la Fondation de Coubertin.<\/p>\n<p style=\"text-align: left;\">Textes de: Soline Dusausoy conservatrice du Mus\u00e9e de la Fondation de Coubertin, Marie-Claude Lambotte Professeur \u00e0 l\u2019Universit\u00e9 Paris XIII et directrice de programme au Coll\u00e8ge International de Philosophie. Nathalie pineau-Farge historienne de l\u2019art, Chritophe B\u00e9ry directeur de la fonderie de Coubertin et Laure Kaltenbach commissaire d\u2019exposition curatrice de La MOB \u00e0 la maison Dora Maar \u00e0 M\u00e9nerbes.<\/p>\n<p style=\"text-align: left;\">TV78 \u00ab\u00a0La sculpture contemporaine \u00e0 travers les paroles et regards de Jean Michel Fichot.<\/p>\n<p>&nbsp;<\/p>\n<p><iframe loading=\"lazy\" title=\"La sculpture contemporaine \u00e0 travers les paroles et regards de Jean-Michel Fichot\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/eFvo9808D30?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: left;\">The French artist, <strong>Jean-Michel FICHOT<\/strong> was born in 1959.\u00a0 He is a sculptor and a professor in Applied Arts, former student of the Duperr\u00e9 School of Applied Arts and of the School of Fine Arts in Paris.\u00a0 His work has been exhibited since 1985.<\/p>\n<p style=\"text-align: left;\"><img decoding=\"async\" loading=\"lazy\" class=\"\" src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/6\/6a\/Ordre_des_Arts_et_des_Lettres_Chevalier_ribbon.svg\/120px-Ordre_des_Arts_et_des_Lettres_Chevalier_ribbon.svg.png\" alt=\"Vignette pour la version du 10 novembre 2015 \u00e0 10:17\" width=\"37\" height=\"12\" \/> Appointed Knight of the Order of Arts and Letters by Madam Minister of Culture Rima Abdul Malak in 2023.<\/p>\n<p>&nbsp;<\/p>\n<pre id=\"tw-target-text\" class=\"tw-data-text tw-text-large tw-ta\" dir=\"ltr\" tabindex=\"-1\" role=\"text\" data-placeholder=\"Traduction\" data-ved=\"2ahUKEwjBpfbDnfOVAxXTV6QEHYkGIbcQ3ewLegQIDRAV\" aria-label=\"Texte traduit\u00a0: ARTISTIC CAREER \u2014 CHRONOLOGICAL MILESTONES\"><\/pre>\n<ul style=\"text-align: left;\">\n<li>1985\u00a0: \u00a0\u00a0\u00a0 \u00a0First one-man exhibition in Paris.<\/li>\n<li>1986\u00a0: \u00a0\u00a0 \u00a0 Awarded the Jean Arp contemporary Art Prize by Marguerite Arp and<br \/>\nPhilippe Piguet, Marcel Jean, Dominique Abensour. Entered the International Symposium of Sculpture in<br \/>\nSylt, Germany, where he met Nils Udo.<\/li>\n<li>1987 Shortlisted for the Paul-Louis Weiller, Institut de France, Paris.<\/li>\n<li>1989 : receives the Florence Blumenthal prize awarded by Mrs. Bernadette Chirac after being selected by a jury composed of Jean Bazaine and Yvon Lambert. Shortlisted for the F\u00e9n\u00e9on prize, Sorbonne Chapel, Paris.<\/li>\n<li>1990\u00a0:\u00a0\u00a0 \u00a0\u00a0 Organized a personal exhibition at the Art and History Museum of Saint Denis, France.<\/li>\n<li>1991\u00a0: \u00a0\u00a0 \u00a0 Held a one-man exhibition at the Art and History Museum in Colombes, France.<br \/>\nParticipated in public collections e.g. the Art and History Museum of Colombes, France, as well as in private collections and foundations.<br \/>\nRegular exhibitions in galleries, in International Contemporary Art Fairs and museums in France and abroad (Germany, Belgium, Switzerland, The United-States of America and Japan).<\/li>\n<li>1994: Invited to France Inter by Jos\u00e9 Artur, Pop Club.<\/li>\n<li>2012:\u00a0 \u00a0 \u00a0Awarded the Charles Malfray prize, Foundation Taylor, Paris. Portrait in the Gazette Drouot, N\u00b045, pp. 110 and 111. \u00ab\u00a0Jean-Michel Fichot re-cr\u00e9ateur de formes\u00a0\u00bb.<\/li>\n<li>2022\u00a0 \u00a0 \u00a0 Organized a personal exhibition, Foundation\u00a0Arp Clamart<\/li>\n<li>2023:\u00a0 \u00a0 \u00a0Organized a personal exhibition, Foundation de Coubertin Museum of Saint-R\u00e9my L\u00e8s Chevreuse, France. At the opening, the work \u00ab\u00a0<em>enfeu\u00a0\u00bb\u00a0<\/em>by composer Philippe Schoeller is performd as a tribute to the origins of\u00a0 Jean-Michel Fichot&rsquo;s work. The exhibition is supported by the Ministry of Culture and the \u00cele-de-France region.\n<pre id=\"tw-target-text\" class=\"tw-data-text tw-text-large tw-ta\" dir=\"ltr\" tabindex=\"-1\" role=\"text\" data-placeholder=\"Traduction\" data-ved=\"2ahUKEwjiqvbCqPOVAxWIVqQEHXlDDgkQ3ewLegQIDBAV\" aria-label=\"Texte traduit\u00a0: At the opening, the work *Enfeu* by composer Philippe Schoeller is performed as a tribute to the origins of Jean-Michel Fichot\u2019s work. The exhibition is supported by the Ministry of Culture and the \u00cele-de-France region.\"><\/pre>\n<\/li>\n<\/ul>\n<pre id=\"tw-target-text\" class=\"tw-data-text tw-text-large tw-ta\" dir=\"ltr\" tabindex=\"-1\" role=\"text\" data-placeholder=\"Traduction\" data-ved=\"2ahUKEwjBpfbDnfOVAxXTV6QEHYkGIbcQ3ewLegQIDRAV\" aria-label=\"Texte traduit\u00a0: A Critical Look at the Work\"><\/pre>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<pre id=\"tw-target-text\" class=\"tw-data-text tw-text-large tw-ta\" dir=\"ltr\" tabindex=\"-1\" role=\"text\" data-placeholder=\"Traduction\" data-ved=\"2ahUKEwiw8_Os5PWVAxXyP_sDHSvaBB4Q3ewLegQIDRAV\" aria-label=\"Texte traduit\u00a0: Perspectives on the Work\"><strong><span class=\"Y2IQFc\" lang=\"en\">\r\nA LOOK AT THE WORK\r\n\r\n<\/span><\/strong><\/pre>\n<p style=\"text-align: left;\">As an artist, Jean-Michel FICHOT has created his own language using distortion and repetition of forms in search of new spatial situations, and he finds his inspiration in direct contact with matter and volume.\u00a0 Marie-Claude Lambotte refered to a \u00abphilosophy of form\u00bb in the article she devoted to him in 1988 in the publication Fr\u00e9n\u00e9sie<sup>1<\/sup>. One could also willingly refer to poetics of sculpture which cannot be limited to a unique view whether it is critical, literary, philosophical, psychoanalytic or sociological.<\/p>\n<p style=\"text-align: left;\">Figurative forms are treated as abstractions insofar as that they do not aim to represent a story in a colourful or in a trivial way. There is a real concern to find a rhythm, a movement, a phrasing, a tenseness and a matter.\u00a0 Distortion, a sort of metaphorical condensation, combines with repetition, a sort of metonymical displacement of desire, each sculpture emerges at the intersection of two diachronic and chronological axes.\u00a0 There is a dual-reference system, a reference to history and to a collective memory on one hand, as well as a self-reference by means of repetition and use of similar modules from one sculpture to the next and there lies the source of his own personal identity.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<pre id=\"tw-target-text\" class=\"tw-data-text tw-text-large tw-ta\" dir=\"ltr\" tabindex=\"-1\" role=\"text\" data-placeholder=\"Traduction\" data-ved=\"2ahUKEwjBpfbDnfOVAxXTV6QEHYkGIbcQ3ewLegQIDRAV\" aria-label=\"Texte traduit\u00a0: PRESS, RADIO, TELEVISION AND PUBLICATIONS\"><strong><span class=\"Y2IQFc\" lang=\"en\">PRESS, RADIO, TELEVISION AND PUBLICATIONS\r\n\r\n<\/span><\/strong><\/pre>\n<p style=\"text-align: left;\">Wasser dokumentation der Internationalen vereinigung der k\u00fcnst (sektion Bundesrepublik Deutschland. Bonn 1986, ISBN 3-922035-84-1<\/p>\n<p style=\"text-align: left;\">Kultur politik, vierteljahresschrift f\u00fcr Kunst und Kultur 1986<\/p>\n<div style=\"text-align: left;\">\n<pre class=\"tw-data-text tw-text-large tw-ta\" dir=\"ltr\" data-placeholder=\"Traduction\"><span class=\"Y2IQFc\" lang=\"en\">Frenzy<em><sup>1<\/sup><\/em>: \u00a0HYSTERY. History of psychoanalyzed psychiatry No. 4 interview by Philippe Sollers with C\u00e9cile\r\nColl\u00e9e, 1987.\r\n\r\nCHILDREN'S CRAZIES. History of psychoanalyzed psychiatry No. 6 \u201cA practice of the philosophy \r\nof form\u201d interview with Marie-Claude Lambotte, 1988.\r\nFrance Culture: interview of Jean-Michel Fichot by Bertrand Val\u00e8re at the 1987 Salon de la Jeune Peinture.\r\n\r\nCadmus<em><sup>2<\/sup><\/em>:\r\nCultural and scientific review\r\nN\u00b02 \u2013 THE UNIVERSAL, THE SINGULAR \u2013 \u201cDeformations\u201d by Jean-Michel Fichot.\r\n<\/span><\/pre>\n<pre id=\"tw-target-text\" class=\"tw-data-text tw-text-large tw-ta\" dir=\"ltr\" tabindex=\"-1\" role=\"text\" data-placeholder=\"Traduction\" data-ved=\"2ahUKEwid5YnbwvKVAxXwVqQEHYy7JqUQ3ewLegQIDRAV\" aria-label=\"Texte traduit\u00a0: FR3 Lorraine report on the *Fichot: Sculptor* exhibition at the MLC Metz in 1989.\"><span class=\"Y2IQFc\" lang=\"en\">FR3 Lorraine report on the *Fichot: Sculptor* exhibition at the MLC Metz in 1989.\r\nElle Japan, article by Tomoko Charmaison, 1990.\r\nArtension magazine, article by Fr\u00e9d\u00e9rique Peindarie, 1991.<\/span><\/pre>\n<pre class=\"tw-data-text tw-text-large tw-ta\" dir=\"ltr\" data-placeholder=\"Traduction\"><span class=\"Y2IQFc\" lang=\"en\">Text by Gilbert Lascault<em><sup>3<\/sup><\/em>: \u201carchive of art criticism\u201d in the Jean-Michel Fichot catalog, Paris, Furstenberg gallery 1991. <\/span><\/pre>\n<pre class=\"tw-data-text tw-text-large tw-ta\" dir=\"ltr\" tabindex=\"-1\" role=\"text\" data-placeholder=\"Traduction\" data-ved=\"2ahUKEwiAuY-LmqWVAxUdKvsDHVtvCzMQ3ewLegQIDRAV\" aria-label=\"Texte traduit\u00a0: Guest on Jos\u00e9 Artur\u2019s *Pop Club* program on France Inter, 1994. Profile: &quot;Jean-Michel Fichot: Re-creator of Forms,&quot; \u200b\u200b*La Gazette Drouot*, No. 45, pp. 110\u2013111, 2012.\"><span class=\"Y2IQFc\" lang=\"en\">Guest on Jos\u00e9 Artur\u2019s *Pop Club* program on France Inter, 1994.<\/span><\/pre>\n<pre id=\"tw-target-text\" class=\"tw-data-text tw-text-large tw-ta\" dir=\"ltr\" tabindex=\"-1\" role=\"text\" data-placeholder=\"Traduction\" data-ved=\"2ahUKEwiturGM7PKVAxXOUaQEHRxXKqwQ3ewLegQIDRAV\" aria-label=\"Texte traduit\u00a0: La Gazette Drouot: Portrait &quot;Jean-Michel Fichot: Re-creator of Forms&quot; by Chantal Humbert, No. 45, pp. 110\u2013111, 2012.\"><span class=\"Y2IQFc\" lang=\"en\">La Gazette Drouot: Portrait \"Jean-Michel Fichot: Re-creator of Forms\" by Chantal Humbert, No. 45, pp. 110\u2013111, 2012.<\/span><\/pre>\n<pre id=\"tw-target-text\" class=\"tw-data-text tw-text-large tw-ta\" dir=\"ltr\" tabindex=\"-1\" role=\"text\" data-placeholder=\"Traduction\" data-ved=\"2ahUKEwiAuY-LmqWVAxUdKvsDHVtvCzMQ3ewLegQIDRAV\" aria-label=\"Texte traduit\u00a0: Guest on Jos\u00e9 Artur\u2019s *Pop Club* program on France Inter, 1994. Profile: &quot;Jean-Michel Fichot: Re-creator of Forms,&quot; \u200b\u200b*La Gazette Drouot*, No. 45, pp. 110\u2013111, 2012.\"><span class=\"Y2IQFc\" lang=\"en\">\u00a0<\/span><\/pre>\n<pre class=\"tw-data-text tw-text-large tw-ta\" dir=\"ltr\" data-placeholder=\"Traduction\"><span class=\"Y2IQFc\" lang=\"en\">\r\nCatalog of the Fichot exhibition \u201cWords and Regards of the Artist\u201d <em><sup>4<\/sup><\/em> 2023, 168 pages.\r\nEdition of the Coubertin Foundation Museum. Texts by: Soline Dusausoy \r\ncurator of the Coubertin Foundation Museum, Marie-Claude Lambotte Professor \r\nat the University of Paris XIII and program director at the International \r\nCollege of Philosophy. Nathalie Pineau-Farge art historian, Chritophe B\u00e9ry \r\ndirector of the Coubertin foundry and Laure Kaltenbach exhibition curator curator of La MOB\r\nat the Dora Maar house in M\u00e9nerbes.\r\n<\/span><\/pre>\n<pre id=\"tw-target-text\" class=\"tw-data-text tw-text-large tw-ta\" dir=\"ltr\" tabindex=\"-1\" role=\"text\" data-placeholder=\"Traduction\" data-ved=\"2ahUKEwib1N29wPKVAxUIfaQEHSRXFl8Q3ewLegQIDRAV\" aria-label=\"Texte traduit\u00a0: TV78 &quot;Contemporary sculpture through the words and perspective of Jean-Michel&quot;\"><span class=\"Y2IQFc\" lang=\"en\">TV78 \"Contemporary sculpture through the words and perspective of Jean-Michel Fichot\"<\/span><\/pre>\n<pre id=\"tw-target-text\" class=\"tw-data-text tw-text-large tw-ta\" dir=\"ltr\" data-placeholder=\"Traduction\"><span class=\"Y2IQFc\" lang=\"en\">\u00a0<\/span><\/pre>\n<\/div>\n<div style=\"text-align: left;\"><\/div>\n<div><\/div>\n<div style=\"text-align: left;\"><a href=\"https:\/\/www.librairie-compagnons.com\/fichot-sculptures.html\">https:\/\/www.librairie-compagnons.com\/fichot-sculptures.html<\/a><\/div>\n<div style=\"text-align: left;\"><\/div>\n<div style=\"text-align: left;\"><\/div>\n<div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>https:\/\/www.librairie-compagnons.com\/fichot-sculptures.html &nbsp; Jean-Michel Fichot est un artiste fran\u00e7ais, n\u00e9 en 1959. Sculpteur et professeur certifi\u00e9, il a consacr\u00e9 son parcours \u00e0 la cr\u00e9ation et \u00e0 l\u2019enseignement dans les domaines du design, des arts appliqu\u00e9s et des m\u00e9tiers d\u2019art.\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"_links":{"self":[{"href":"https:\/\/www.fichotsculpteur.com\/site\/wp-json\/wp\/v2\/pages\/3"}],"collection":[{"href":"https:\/\/www.fichotsculpteur.com\/site\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.fichotsculpteur.com\/site\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.fichotsculpteur.com\/site\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.fichotsculpteur.com\/site\/wp-json\/wp\/v2\/comments?post=3"}],"version-history":[{"count":141,"href":"https:\/\/www.fichotsculpteur.com\/site\/wp-json\/wp\/v2\/pages\/3\/revisions"}],"predecessor-version":[{"id":6835,"href":"https:\/\/www.fichotsculpteur.com\/site\/wp-json\/wp\/v2\/pages\/3\/revisions\/6835"}],"wp:attachment":[{"href":"https:\/\/www.fichotsculpteur.com\/site\/wp-json\/wp\/v2\/media?parent=3"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}